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Arthur Herring (Mike Starr) is the mayor, priest and mortician in a small town called Cardinal. His brother Vincent Herring (Jude Moran) is his.
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- Making a Killing
- Making a Killing | STANFORD magazine
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Making a Killing
January February March April May June July August September October November December 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Enter. Making A Killing. Summary: Arthur Herring Mike Starr is the mayor, priest and mortician in a small town called Cardinal. His brother Vincent Herring Jude Moran is his right hand man and together they are well-respected pillars of the community.
Arthur and Vincent agreed to safe guard a small fortune of rare coins for a friend, Lloyd Mickey Christopher Lloyd Arthur Herring Mike Starr is the mayor, priest and mortician in a small town called Cardinal. Arthur and Vincent agreed to safe guard a small fortune of rare coins for a friend, Lloyd Mickey Christopher Lloyd another mortician and convicted felon. When released Lloyd wants his coins back but the brothers have other plans.
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Director: Devin Hume. Genre s : Drama , Mystery , Crime. Rating: Not Rated. Runtime: min. This can be further affected if you are playing when in a bad mood.
Making a Killing | STANFORD magazine
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Obviously, Christopher Lloyd is Hollywood royalty. But even Mike Starr has done a lot of really good stuff. What was it like directing childhood heroes.
We just talked. He just wants to do the best thing for the film. Mike Starr and I, we had a little bit of a rocky start. But by about eight hours into our day, Mike and I just connected. For the twenty-six days that we shot, Mike and I had such a fabulous relationship. I was bouncing ideas off of him. Mike and I would hash it out in the trailer with Jude. Also in the very beginning, Mike and Jude formed this awesome relationship. They play brothers in the film.
By day three or so you guys were like brothers. Jude really took the demeanor of the guy his character was based on. We met on a lava rock beach outside of Kona. They basically asked the right guy the wrong question.
Or the wrong question to the right guy. They asked me if I had any good stories I wanted to tell for my first feature. I pitched them this film. They were so enamored by this story and went home, and fact checked me.